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It celebrates the hand of man, controlled imperfection, the beauty of the profoundly living line and invites a return to the emotion of the gesture and the spontaneity of the line.
Her drawing, like a freehand sketch in charcoal or dry brush, seems to come directly from a studio notebook; she pays homage to the graphic research of Pablo Picasso or Henri Matisse, between instinctive abstraction and symbolic figuration.
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